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جعله منطبقا على أسلوب معين - translation to Αγγλικά
1954 FILM
Athar Fel Rimal; Athar Fil Remal; أثار في الرمال; Athar 'ala Al Rimal; أثار على الرمال; Athar Fi al-Rimal
جعله منطبقا على أسلوب معين
stylize
stylize
v. جعله منطبقا على أسلوب معين, أسلب
STYLIZE
![[[Paleolithic]] stone tools grouped by period](https://commons.wikimedia.org/wiki/Special:FilePath/1911 Britannica-Archaeology-Palaeolithic.png?width=200 "[[Paleolithic]] stone tools grouped by period")
![Islamic]] ornament in ivory, centred on a [[palmette]]; [[Alois Riegl]]'s ''[[Stilfragen]]'' (1893) traced the evolution and transmission of such motifs.](https://commons.wikimedia.org/wiki/Special:FilePath/Ivory Egypt Louvre OA2753.jpg?width=200 "Islamic]] ornament in ivory, centred on a [[palmette]]; [[Alois Riegl]]'s ''[[Stilfragen]]'' (1893) traced the evolution and transmission of such motifs.")
![''Les Demoiselles d'Avignon'' (1907), also by Picasso in a different style ("[[Picasso's African Period]]") four years later](https://commons.wikimedia.org/wiki/Special:FilePath/Les Demoiselles d'Avignon.jpg?width=200 "''Les Demoiselles d'Avignon'' (1907), also by Picasso in a different style (\"[[Picasso's African Period]]\") four years later")
![Painting of ''[[Christ among the Doctors]]'', catalogued by [[Christie's]] as "Manner of Rembrandt Harmensz van Rijn" and sold for £750 in 2010](https://commons.wikimedia.org/wiki/Special:FilePath/Manner of rembrandt harmensz van rijn christ among the doctors d5343274h.jpg?width=200 "Painting of ''[[Christ among the Doctors]]'', catalogued by [[Christie's]] as \"Manner of Rembrandt Harmensz van Rijn\" and sold for £750 in 2010")
![Aerial view of the very stylized prehistoric [[Uffington White Horse]] in England](https://commons.wikimedia.org/wiki/Special:FilePath/Uffington-White-Horse-sat.jpg?width=200 "Aerial view of the very stylized prehistoric [[Uffington White Horse]] in England")
CLASSIFICATION OF AN ART WORK, BASED ON HOW IT IS PERCEIVED BY THE AUDIENCE, SPECIFIC TO AN ARTIST OR SHARED WITH OTHER WORKS OF THE SAME MOVEMENT OR SCHOOL
Painting Styles; Painting styles; Styles of Painting; Styles of painting; Art styles; Artistic style; Visual style; Painting style; Style in art; Style (aesthetics); Stylization; Stylized art; Manner of (art); Stylize; Stylizes; Stylized; Stylizing; Stylizations; Stylise; Stylises; Stylised; Stylising; Stylisation; Stylisational; Stylisationally; Stylisations; Stylizings; Stylisings; Stylizer; Styliser; Stylizers; Stylisers; Stylism; Stylisms; Style over substance; Style (visual art); Art style; Signature Style; Signature style
الفعل
جعله منطبقا على أسلوب معين; أسلب
Βικιπαίδεια
Traces in the Sand
Athar Fi al-Rimal (Arabic: أثار في الرمال, Traces in the Sand) is a 1954 Egyptian drama film directed by Gamal Madkoor. It starred Imad Hamdi and Faten Hamama.
Faten Hamama plays Ragia, a woman who helps Ibrahim (Imad Hamdi) retain his memory and tell the story of his sister's death.
